May 2012
zuky:
Tim Burton should just make a movie called ‘Johnny Depp’.
starring helena bonham carter as johnny depp
Co-starring Johnny Depp as Helena Bonham Carter.
I suppose Danny Elfman would do the music
plot twist: the music does Danny Elfman
you know what the stupidest award is
perfect attendance
why should you be rewarded for having a superior immune system and never catching a virus okay it’s not exactly my fault that I’m not perfect and I gotta work it
where is my award for not murdering anyone all four years of high school since we’re giving out pointless awards here
1. Nacreous Clouds
2. Mammatus Clouds
3. Altocumulus Castelanus
4. Noctilucent Clouds
5. Mushroom Clouds
6. Cirrus Kelvin-Helmholtz
7. Lenticular Clouds
8. Roll Clouds
9. Shelf Clouds
10. Stratocumulus Clouds
- My Dad: If Tim Burton directed The Hunger Games he would cast Johnny Depp as Katniss.
you know those feels
when you’re so into something
and you just wanna talk about it all the time but everyone else around you would be like wat
The Land Of Stories: The Wishing Spell (via colfershands)
OMG This is the problem though, isn’t it? A villain could have been a victim at one point. And maybe it’s not compassionate or empathetic to simply see someone as a villain but being a victim does not give a person the right to victimize others. And that’s what villains are. It makes it worse, actually. Because they know how it feels. They know how it feels to be powerless and helpless, to feel like they can never be good enough and will never be happy and then they go and spread that misery and pain around. Yeah, villains are assholes whether they were victims or not.
(via iloveyouless)
“because of reasons” is always a legitimate reason
- Tim Burton: Hey I need music for-
- Danny Elfman: Yes.
- Tim Burton: I need an actor who-
- Johnny Depp: Yes.
- Tim Burton: I need you to be with-
- Helena Boham Carter: Yes.
- Tim Burton: :,D
- france: ten
- france: twenty
- france: thirty
- france: forty
- france: fifty
- france: sixty
- france:
- france:
- france: sixty ten
- world: france what are you do—
- france: four twenties
- world: france stop it
- france: four twenties ten
- world: france that doesn't even make any sense
- france:
- france:
- france:
- world:
- france:
- world:
- france: hundred.
- Me: Honey I'm home.
- ...
- Me: Oh I forgot (s)he's on tour.
do you ever do something really stupid and then you just sit there every night for weeks and think about how stupid it was
Amanda Abbington, on Martin Freeman’s reaction to Tumblr
Baker Street Babes Podcast, 27/05/2012
(via fridafrag)
You want to say “Hi” to the cute girl on the subway. How will she react? Fortunately, I can tell you with some certainty, because she’s already sending messages to you. Looking out the window, reading a book, working on a computer, arms folded across chest, body away from you = do not disturb. So, y’know, don’t disturb her. Really. Even to say that you like her hair, shoes, or book. A compliment is not always a reason for women to smile and say thank you. You are a threat, remember? You are Schrödinger’s Rapist. Don’t assume that whatever you have to say will win her over with charm or flattery. Believe what she’s signaling, and back off.
If you speak, and she responds in a monosyllabic way without looking at you, she’s saying, “I don’t want to be rude, but please leave me alone.” You don’t know why. It could be “Please leave me alone because I am trying to memorize Beowulf.” It could be “Please leave me alone because you are a scary, scary man with breath like a water buffalo.” It could be “Please leave me alone because I am planning my assassination of a major geopolitical figure and I will have to kill you if you are able to recognize me and blow my cover.”
On the other hand, if she is turned towards you, making eye contact, and she responds in a friendly and talkative manner when you speak to her, you are getting a green light. You can continue the conversation until you start getting signals to back off.
The fourth point: If you fail to respect what women say, you label yourself a problem.
There’s a man with whom I went out on a single date—afternoon coffee, for one hour by the clock—on July 25th. In the two days after the date, he sent me about fifteen e-mails, scolding me for non-responsiveness. I e-mailed him back, saying, “Look, this is a disproportionate response to a single date. You are making me uncomfortable. Do not contact me again.” It is now October 7th. Does he still e-mail?
Yeah. He does. About every two weeks.
This man scores higher on the threat level scale than Man with the Cockroach Tattoos. (Who, after all, is guilty of nothing more than terrifying bad taste.) You see, Mr. E-mail has made it clear that he ignores what I say when he wants something from me. Now, I don’t know if he is an actual rapist, and I sincerely hope he’s not. But he is certainly Schrödinger’s Rapist, and this particular Schrödinger’s Rapist has a probability ratio greater than one in sixty. Because a man who ignores a woman’s NO in a non-sexual setting is more likely to ignore NO in a sexual setting, as well.
So if you speak to a woman who is otherwise occupied, you’re sending a subtle message. It is that your desire to interact trumps her right to be left alone. If you pursue a conversation when she’s tried to cut it off, you send a message. It is that your desire to speak trumps her right to be left alone. And each of those messages indicates that you believe your desires are a legitimate reason to override her rights.
For women, who are watching you very closely to determine how much of a threat you are, this is an important piece of data.
” —an excerpt from Phaedra Starling’s “Schrödinger’s Rapist: or a guy’s guide to approaching strange women without being maced” (via cuntlovin)- band you don't like/care about: hey we're announcing a tour and we're playing in your town in the holidays and the tickets are free !!!!
- Your favorite band: Hey we're announcing a tour on the moon on a school night and tickets are £984937868 !!!!









